Concept
This project explores how classical instruments can be used as a structured inspiration source to create a new Mercedes-Maybach form language. Rather than borrowing shapes literally, I treated instruments as systems of principles—rhythm, tension, resonance, layering, and craftsmanship—and translated those rules into proportion, surfacing flow, and signature detailing.
Research focus I — Pipe Organ
After testing multiple instrument families, the project converged on the pipe organ as the final reference system. Its architectural presence, vertical rhythm, and modular repetition translate naturally into Maybach—calm authority, ceremonial proportion, and controlled detail density. The organ became a concrete framework for front architecture, surfacing rhythm, and signature lighting logic.
Research focus II — Parallel Instrument
Alongside the selected reference, additional instrument experiments were developed as controlled variations. They functioned as a comparison set—highlighting which cues were repeatable and scalable into an automotive language, and which were interesting but not robust enough for the final direction.